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BACH-LOUIE: THE COMPLETE SONATAS & PARTITAS
- Solo harpsichord arrangements of Bach’s complete music for solo violin
- Consists of three sonatas and three partitas in their entirety (thirty-two individual movements)
- New and historically authentic arrangements that translate the music beautifully and idiomatically to the keyboard
- Authentic original arrangements by Bach have been incorporated
- Playable on double or single-manual harpsichord (or piano)
- More information and audio
- The score to each Sonata and Parita is available separately, and includes the title page, table of contents, preface, and critical commentary (an additional 10 pages):
- Sonata no. 1 in D minor, after BWV 1001, 14 pages (currently in preparation)
- Partita no. 1 in F-sharp minor, after BWV 1002, 16 pages (currently in preparation)
- Sonata no. 2 in E minor, after BWV 1003, 18 pages (currently in preparation)
- Partita no. 2 in C minor, after BWV 1004 (Allemanda, Corrente, Sarabanda, Giga, Ciaccona), 23 pages
- Sonata no. 3 in G major, after BWV 1005 (Adagio, Fuga, Largo, Allegro assai), 25 pages
- Partita no. 3 in D major, after BWV 1006, 20 pages (currently in preparation)
- Sonata no. 1 in D minor, after BWV 1001, 14 pages (currently in preparation)
MENDELSSOHN-LOUIE: VIOLIN SONATA IN D MINOR
- Sonata for Piano and Violin in D minor, completed version by David Louie
- Reconstruction of an unfinished single-movement (MWV Q 18) from an autograph manuscript in the Berlin State Library
- Manuscript content retained as fully and faithfully as possible
- Completion rendered with additional material based on Mendelssohn’s original works
- More information and audio
- Score and violin part, 29 pages
DECODING BACH’S TEMPERAMENT
- Short essay by David Louie
- Introduction to Bach’s cryptic “squiggle” on the autograph manuscript of the Well-Tempered Clavier, Book I
- Clear step-by-step analysis of its context and meaning
- Simple tuning instructions for setting a keyboard temperament based on Bach’s “squiggle”
- Essay with illustrations, 6 pages
RAMEAU-LOUIE: PIÈCES DE CLAVECIN EN CONCERTS
- Solo harpsichord versions of Rameau’s “Pièces de Clavecin en Concerts”
- Includes Rameau’s own transcriptions of four of the sixteen pieces
- Follows Rameau’s suggestion that all of the pieces may be adapted as harpsichord solos, leaving “nothing more to be desired”
- Transcriptions of the remaining twelve pieces allow a complete performance of all five “Concerts”
- More information and audio
- The score to each Concert is available separately, and includes the title page, table of contents, preface, and Rameau’s table of ornaments in facsimile (an additional 5 pages):
- Premier Concert (La Coulicam, La Livri, Le Vézinet), 6 pages
- Deuxième Concert (La Laborde, La Boucon, L’Agaçante, Menuets), 10 pages
- Troisième Concert (La Lapoplinière, La Timide, Tambourins), 8 pages
- Quatrième Concert (La Pantomime, L’Indiscrète, La Rameau), 8 pages
- Cinquième Concert (La Forqueray, La Cupis, La Marais), 8 pages
- Premier Concert (La Coulicam, La Livri, Le Vézinet), 6 pages
MOZART-LOUIE: CADENZA FOR PIANO CONCERTO, KV 488
- Extended version of Mozart’s original cadenza for the first movement of the Piano Concerto no. 23 in A major, KV 488
- Contains two ossia passages that incorporate thematic material from the movement
- Score, 7 pages
